One of the most common complaints about Hollywood films is how predictable and formulaic they are. In the 90s, film festivals like Sundance were in their zenith when they provided a platform for writer/directors such as Tarantino, Steven Soderbergh, and Jim Jarmusch, who delivered films that brazenly asserted an edgy, idiosyncratic style, often mixing the irreverent with the absurd.
Over the years, Sundance and indie films in general have lost their cachet as many of the films that come out of the festivals have arguably become as formulaic as blockbuster flicks, yet often without the slick efficiency. One of the stalest forms of American indie movies is the emo rom-com between suicidal depressives.
The new short film Here Lies Joe checks most of the boxes of the aforementioned genre: washed out color palette, slow mumbly alternative soundtrack, gratuitous long takes that are supposed to signify how bare the protagonist’s life is, and forced snarky-cutesy banter between a man and woman.
Writer-director-cinematographer-editor, etc. Mark Battle has some flair for morose comedic awkwardness as evidenced in the suicide anonymous group meeting scene (buoyed by an amusing performance by Mary Hronicek as an emotional wreck).
Joe loses momentum when it hinges on a meandering series of awkward scenes between the titular character (Dean Temple), a former professor? living in his car, and Z (Andi Morrow), an intellectual and brash, but self-destructive woman.
There are hints that Temple and Morrow, are sensitive performers, but they are constrained by the overly self-conscious archetypal nature of their characters.
Morrow is better at asserting the abrasive elements of her character than the more vulnerable side, which as written feels more obligatory than organic. If the character of Z is overly snarky, Joe is on the wrong side of understated; underdeveloped. While protagonists in many films overexplain themselves, we never conclusively know anything about Joe (the scraps of evidence of his past are never tied in to the story, alas), and therefore have very little connection with him.
What Joe lacks in originality, it makes up for in overall competency, which puts it way ahead of most low-budget small crew short films in the festival circuit.